Friday, 26 August 2011

just a thought: A goddess in the garden of Eden...


I have just received on line the Sept issue of Classical Singer. Anna is its cover and looks very romantic and attractive. But what is much more interesting is the possibility to read for free the article about her art of singing.LINK

I am impressed by the richness of her tremendous voice, not by the way she sings. I am totally under her spell when she sings in her mother tongue. The recital of russian melodies accompanied by Daniel Barenboïm was delightful on television.(ZDF Berlin) This season I have already booked two events, one for sure and another one to be confirmed. I can feel that the hype around her is not all based on the profit of her record company. I can remember how she launched herself in her part in I Capuleti e I Montecchi the only time I saw her live at Bastille opera house.
She takes you in rapture completely at one point or another! she seems to be oblivious of herself to such an exent that she is irresistibly convincing. Her voice, though it could be often in the same range of colours, being so rich and easy in splendid tops, has, like her looks, a strong seductive power.
The only time I saw her, in I Capuleti e I Montecchi,( opera Bastille June 2008, she was expecting her baby boy)she was a beautiful Juliet. I realised how "easy" her voice was. Then suddenly at the last scene, she hooked me because she went over the top really as it is and that was the big emotional pang. There is one role I would have liked to see her in on stage. Luckily there is a fairly good youtube sample. She had a lighter voice and Rolando Villazon was also in great vocal shape.

She has now a very mature and gorgeous appearance, she looks radiant with happiness and that can be felt in her voice. Venus reborn on opera stage?

Thursday, 25 August 2011

Music'nd the City : Edition 2011 in Aix-en-Provence.








This is the Second edition of the most enjoyable free event in Aix-en Provence at the end of August!
I am back from the first evening of" Musique dans la Rue" Festival, so happy I could share this evening with the girls who both study music!`
(piano and flute). They are beginners. They love singing and join the school of music choir too!
So we sat quietly in Cour Maynier d'Oppède which is nearly all refurbished. The Travelling Quartet offered a selection of the Beatles tunes, some really well disguised in the classical arrangements. Some could be hummed along like "Hello, Good Bye" and "Yesterday"they made the girls happy, but I did not recognise Strawberry Field... A string quartet has a very soothing effect. Their Blackbird rendition was stunning.
The photo seems to show a much younger alto violinist than the picture either on the site or in their record. They were very passionate in their job and smiling to the audience! The girls were delighted to be so near them! So was I, being so used to sitting at the back in expensive opera houses...here and there! On Sunday I will be on my way to Salzburg ... I have a strange ticket for Makropoulos Affair.. it is going to be the last minute surprise... certainly not the front row!)
LINK


Then we walked down Rue de Saporta to Place
d'Albertas,

where we stood on the pavement opposite the fountain and met an unusual clarinet sextet,
Sextuor de clarinettes Arundo:

Frédéric Mouron
Caroline Aubert
Daniel Bimbi
Romain Carlet
Franck Raciti
Christophe Sicard
Explanations on each clarinet in this family were given to us by the group leader who played the bass clarinet.
The half an hour concert (or so) was moving, with a true bohemian O Chichornia, and three Klezmer tunes.
I love Klezmer music and dream of going to Cracow one day. But there it was 'my dream come true', they were really authentic, what I think is the tradition. They reminded me of the splendid clarinet I heard played in Rouen by the ever so crafty Helios Azoulay...
Tonight the clarinet soprano laughed and cried with agility too, while the bass ones sobbed gently in the background for the second tune...
LINK
LINK
For the opening day of the free concert festival in the streets, it was a cross between folk music and classical, very pleasant to listen to, either under the plane trees of Hotel Maynier d'Oppède, trying to find a slight cool breeze at the end of another stifling day, or on Place d'Albertas where I always imagine Rosina spying through the shutters, trying to see the serenade under her balcony... (Last year, at the same period a strong mistral was blowing and it was almost like autumn, what strange, upset weather, as moody as the economy of our country!).
Some thoughts from my student days around here: Saint-Sauveur Cathedral, Maynier d'oppède and Town- hall:


Hotel Meynier d'Oppède in the 60s was a university college and there I read what was called "propédeutique", American studies, philosophy and English, which was an exam we had to take to prove we had the required level to undertake university studies. I had a wonderful year spent mainly reading at the Méjanes Library in the Town Hall near by, a marvellous old room where imposing carved bookshelves offered whatever you wanted to read, in a quiet environment which smelt of bee-wax and was heated in the winter, a good welcoming spot really when my diggs down Rue Bédarrides had no heating possibility. The librarian was a charming elderly gentleman, very keen on Provençal language who always wore a spotted black and white Lavallière. We were next to the Cathedral which, in those days, had the cloister always open, nearly every day I picnicked there, gazing at the enclosed small garden, the carved figures on the pillars, and the sky above the golden bell tower, as the stone in bright sun shine looks like honey, this particular pierre de Rognes (a village round the corner) seems to reflect sunshine.
When the new university was built we had to go to the new site out of the center, and it had never been the same. I had lost the magic of Aix !


Wednesday, 24 August 2011

Just a thought: back home...






I am back, was not too far away from home, and yet in another world.
We had the girls with us and stayed on a campsite in a wooden bungalow in the woods.
We spent days hiking and bird watching as it went.
A quiet visitor got used to our daily crumbs and we were expecting its visit...in silence and peace. The girls did not make the slightest gesture to disturb the visitor and even stopped their own warbling ... blissful time, enjoying this visit on the wooden terrasse of the bungalow in Chorges...
We did have more than three chairs in this log cabin ...not like Thoreau in his cabin in Walden...
As for our faithful greedy visitor, we once tried to sing to it:

Madame Mésange,
pardon si je vous dérange,
voulez-vous bien, pour de bon,
me livrer mon charbon?
Car, je le vois à vos manières,
vous êtes Mésange Charbonnière.
Vous vous trompez,
mon bon monsieur,
moi, je suis la mésange bleue.
Mettez, oui, mettez vos lunettes,
si vous n'en avez pas,
je vous en prête...(Anne sylvestre "Oiseaux", Fabulettes)

But it did not work, it flew away... swiftly.

Tuesday, 2 August 2011

Just a thought: "We are the microphones of ourselves"..


(....) We sing with our whole body, we are the microphones of ourselves(....)
Rolando Villazon (breakfast Tv talkshow June 2011)
So true when you have had the chance to watch Rolando Villazon sing and perform, either in recitals or in a role.





That is what he selected as the major argument to explain the difference between an opera singer and a pop singer.
He always makes a point in acting his singing. Alessandro, my last vision of him on stage in Zürich opernhaus was also very vivid and even funny, which was his personal touch to the role. He is a great performer and knows all about sustained breath control and projection of the voice to make the 'microphone' effect. Quite true and simply said!
A major draw back in my quiet operatic life, which is my number two "down" (after I missed Traviata at Aix Festival) is the cancellation of Marseilles International Singing Competition.
The main reason for this drawback is the funding problems due to cuts in the culture budget from both Town Hall and Region.

Unfortunately because of drastic cuts on the Culture budget the International voice contest will not take place, we will miss the young singers, the music of it all and of course this big event of having Rolando Villazon coaching the Competition like he did so well in 2009.
Rolando Villazon was ready to come, but could not make it on the dates imposed by Marseilles Opera House, whatwith funding problems, the competition could not take place this Autumn. Our President of the International Voice competition managed to keep the spirit of the competition going by organising a recital with the laureates of recent years!It is going to be a real joyful evening, I remember talking to a young baritone, Florian Sempey, the youngest one of the last 2009 contest and very promising too. Here a photo I took at the semi-finals oct 09. Young and smiling Florian!

He is studying now at the studio of Bastille Opera House : L'Atelier Lyrique', I will be glad to say hello if he is on the show, I do hope so!
What is for sure, neither Florian nor Rolando need a microphone... even if Rolando does lots of tv entertaining with a microphone, when on opera stage his Voce is his microphone... like all opera singers!

From Marseilles Opera House:
____ CONCOURS INTERNATIONAL D'OPÉRA - MODIFICATIONS
Le 9 septembre 2011 - 20H00 à l'Opéra

Le Concours International d'Opéra de Marseille ayant du renoncer à sa 12ème édition, faute de subventions suffisantes, il propose en lieu et place un Grand Concert des Lauréats qui aura lieu le 9 septembre 2011 à 20H00, (date initialement prévue pour la finale).

Ce Grand Concert réunira les Lauréats des Grands Concours Internationaux de Chant, accompagnés par l'Orchestre Philharmonique de Marseille, dirigé par Dominique TROTTEIN._____________

To strike a nicer tune than that rather sad one, here is a fine aria from "Rolando Villazon Opera Recital", Conductor Michel Plasson, Münchner Rundfunkorchester. Virgin classics 2006.
Rolando Villazon, tenor, Bizet-Les Pêcheurs de Perles: "A cette voix...Je crois entendre encore".


LINK