Saturday, 28 December 2013
Triumph of my DPD ... best end of the year event in my telly from the Bayerische Staatsoper!
Screen captures from tonight performance La Forza del Destino (curtain calls Bayerische staatsoper )
I have Just finished following eagerly La Forza on my telly direct from the Bayerische Staatsoper.
Nearly four hours of great singing and music, and all I have to say is that Leonora -my DPD Diva Anja Harteros, gave an outstanding performance in a smashing cast!
I am so so so proud of our Ludovic Tezier ... he is at the moment the best baritone in the French tradition and he comes from Marseille( spent time at the CNIPAL I mentioned lately).
Alvaro -Jonas Kaufmann appeared as a true romantic lover and sang like an angel. The two of them, Anja Harteros the Discreet Diva, are really matched to sing together in this terrible tragedy.
I liked the entangled crosses, perhaps the symbol of our lost route in a lost world...and found the ran tan plan aria completely surrealistic! The tarty looking Preziosilla-Nadia Krasteva stroke the desperate tune of the irony of war while she was making her way among rows of dead bodies. Sex and war go along well, with the counterpart of religion and charity... here also displayed with cynicism: It only shows how modern Verdi is.
The music tonight through my telly via my computer (repaired at last!) very often reminded me Verdi also wrote the best Requiem ever.
I was really glad to be able to somehow be part of this event, because although I pre-booked seats in May when I was in Shanghaï, I did not get through what I refer to 'as The Lottery". I also tried the offer on Parterre box some days ago, as I was ready to travel as fast as I could to Munich... but Fate stroke again... ! Well ... internet worked tonight ! So ... who complains?
Wednesday, 25 December 2013
Noël ! Joyeux Noël 2013 !
Time to cook traditional food like 'bagna cauda' and get the 13 sweets ready.
Time to get the 'Crèche' back to the little side table in the sitting room.
Time to welcome children and granddaughters and have a karaoké evening for a change... and sing some Teresa Teng tunes.. in Chinese..
Time to get all the little clay figurines out of their box... and display the weat cups and saucers (more than three ritual ones!)
But I keep the tradition of the old little jobs I had the chance to see in the streets in Marseille when I was a kid. I got a bigger clay figurine to illustrate the peddler who used to sell little snails from the fields around the Berre pond, cooked in salted water flavoured with fennel. She used to chant in Provençal :
"A l'aïgo sau, lei limaçoun !
N'aven dei gros, e dei pichoun"
"In watered salted water are my little snails
There are some big ones and some little ones..."
Something to tell the girls...
Joyeux Noël my friends...
Time to get the 'Crèche' back to the little side table in the sitting room.
Time to welcome children and granddaughters and have a karaoké evening for a change... and sing some Teresa Teng tunes.. in Chinese..
Time to get all the little clay figurines out of their box... and display the weat cups and saucers (more than three ritual ones!)
But I keep the tradition of the old little jobs I had the chance to see in the streets in Marseille when I was a kid. I got a bigger clay figurine to illustrate the peddler who used to sell little snails from the fields around the Berre pond, cooked in salted water flavoured with fennel. She used to chant in Provençal :
"A l'aïgo sau, lei limaçoun !
N'aven dei gros, e dei pichoun"
"In watered salted water are my little snails
There are some big ones and some little ones..."
Something to tell the girls...
Joyeux Noël my friends...
Saturday, 21 December 2013
Songs from Georgia for R. Raimondi (Marseille masterclass 22oct)
Last week I attended the second CNIPAL concert and had the pleasure to listen to Sulkhan Jaiani performing arias I heard him practice at the Masterclass (Elle gaimmai m'amo Verdi Don Carlos) but really rejoiced and was moved by his rendition of O tu Palermo,Verdi's I vespri Sicilian
A photo of the encore:
I attended almost the whole Masterclass but missed this musical offering from the CNIPAL Georgian singers to Maestro Raimondi on his birthday ( in the evening I had to make my way back homethere are no late buses yet). I had the pleasure to discover this fantastic video, I am grateful to the uploader and fantastic photographer who covered the master class. I followed the singers as well but posted on Facebook and I regret the time I spent doing so because it is lost!( but not from my memory). I enjoyed the discovery of these talented young artists and their improvement along the days with tremendous attention from Maestro Raimondi.
Sulkhan Jaiani is on the left. He has the last notes... and it is amazing!
I wish him plenty of good musical achievements! ( to all of them really, but the tenor and the other bass are 'launched" so to speak! )
This is Marseille Opera House!
Leo Nucci talks to Marseille audience!
He is our Verdian baritone and the large Italian community in Marseille plus the audience who loves Italian Belcanto in South of France has always showed its strong feelings of pleasure to this smashing Rigoletto and other roles.
It is almost as warm and noisy as the Shanghanese atmosphere in a concert hall!
A particular loud and clear voice comes from a very gifted young Georgian bass I now know better and better!
He is a student in his second year at the CNIPAL
He is a wonderful singer...I bet he will be famous soon !
It is so moving to see the young generation of singers cheering a famous senior trouper!
Anytime I recall this acclaimed end of Leo Nucci's concert, I feel young...And it is a nice feeling in this Christmassy period which is not that fun for all of us on this planet earth... did some one say 'Christmas is humbug'? I do hope it won't be so for the children around the world...
Happy Winter Solstice to you all: my unkown readers and my best blogfriends, Eyesometric, Smorgy, Thadieu, Cat, Il diavolo ascolta Mozart, Intermezzo, Opera chic, and my first blogfriend, always faithful, Willym!
To you all, my best wishes for the future to come, called New Year which is just the same but with a 4 and my gratitude for all the happiness and interest I
have reading you and exchanging thoughts and music!
.
Wednesday, 18 December 2013
La Scala and All That... Listen to Lirico Spinto on France Musique !
Screen captures during the live Arte broadcast. I enjoyed Diana Damrau 's Violetta very much. Hers was top class and moving, different from the openly dramatic Traviatas of the past apart from Natalie Dessay's stunning one in Aix.
Stephane Grant is a wonderful opera specialist and opera lover who knows his classics .
Verdi is at the center of the debate of course with what happened lately for the last Traviata opening night at La Scala and the traditional booing which wide opens the memory-door of this prestigious opera house and its great singers who had the privilege to be booed and just withstood the blame to transform it into a greater success like Maria Callas did when she returned to La scala.
Piort Beczala got really offended and reacted too fast after the disgraceful boos but still he was not perfect either... It is part of the game and may be does good to one's ego....
What was not too nice on his part was to blame the entire Italian people and only considered the country for a nice holidaying spot for jet-set opera singers!(That is my reaction to what he published, it only shows the process of misjudging people: from a rather rude and traditional behaviour to another rude answer and on top of it my reaction, finding the tenor not being a nice person and yet I have never had the chance to see him live but I did not like his rendition on tv, so this is a nasty feeling of being caught in a spiral of misunderstanding... in politics it could end in wars...)
What is marvellous is this programme on France Musique:
Part ILirico Spinto
Part II Lirico Spinto
And it goes without saying that VIVA VERDI and LA SCALA, I want to go there one day....nonetheless ! La Scala
Part II Lirico Spinto
And it goes without saying that VIVA VERDI and LA SCALA, I want to go there one day....nonetheless ! La Scala
Monday, 9 December 2013
Cecilia Bartoli at Pleyel with Mozart, Haydn ....and me !(26 /XI/13)
Mozart and Classical Wien. Kammerorchester Basel under Muhal Tang
Salle Pleyel was full that evening and humming with joy and expectations at the prospect of listening to this beloved artist who gives so much to her audience and shares her passion for music where ever she goes !
Her love for singing is catching and her enthusiasm and frankness on stage have something which only belongs to her: she is amazing in her coloratura and feeling the music she sings. That night it was centered on the pains and tortures of love.
I was so happy to be there and at last able to see her in Mozart and Haydn, arias she sung at the beginning of her career, as early as 1990 at Hamburg Opera she sang Idamantes and was only 24 years old... Her love with Mozart occured early in her musical public life, not to mention her fantastic success as a Rossinian singer in 1988 with Rosina, one of her best seller role!
She
appeared in her baroque black costume and opulent white shirt with the
large collar overflowing at the open front of her long coat, the leather leggings replaced by black shining trousers almost silky and velvety as well. As she was Sesto and Genio, she kept this young man appearance until after the catching Joseph Martin Kraus Olympie Ouverture, unknown to me like almost all the Haydn arias, that was just fantastic to discover them with a really fine baroque orchestra. Cecilia Bartoli always tours Europe with the best baroque ensembles and that is why I make a point in being there even if I am quite far from the stage!
She had her gorgeous long hair this time plaited at the back and had no curly vivid locks bouncing to her singing pace like some years ago...
Then for the last aria, the most moving one with all sorts of feelings and expressivenes, she appeared in a long black dress with top lace and had her hair undone at the back... real feminine appearance for the last moments!She was Berenice and I was completely overwhelmed by this part.
After two encores, ( Mozart Exsultate jubilate, like the beginning! and then a peaceful Voi que sapete, real delight...) thundering applause freed the emotions and love of this full house. She had a signature session planned in the hall and I found myself nearly at the back of a long queue, my head buzzing with her voice and so happy to be there waiting...she was having nice words with every one, paying attention, listening and getting up for photos very often. I was very moved to thank her for all she gives, and she signed the album,...with a little heart in her name.... It was 11h30pm when I left Pleyel and I was not the last one.
Basel - Muhai Tang
- Cecilia Bartoli : mezzo-soprano
- Kammerorchester Basel
- Muhai Tang : conducting
- Stefano Barneschi : concertmaster
PROGRAMM
- Wolfgang Amadeus Mozart
- Exsultate jubilate, KV 165
- Joseph Haydn
- Extrait de la Symphonie n° 52 en Ut mineur, H. I/52 (Allegro Assai)
- Wolfgang Amadeus Mozart
- "Parto, parto" (Air de Sesto, extrait de La clemenza di Tito)
- Josef Myslivecek
- Ouverture (extrait de Medonte)
- "Se mai senti" (Air de Sesto, extrait de La clemenza di Tito)
- Joseph Haydn
- "Al tuo seno fortunato" (Air de Genio, extrait de L'anima del fislosofo ossia Orfeo ed Euridice, Hob. XXVIII:13)
- Entracte
- Joseph Haydn
- Extrait de la Symphonie n° 13 (Adagio)
- Wolfgang Amadeus Mozart
- "Deh, per questo istante" (Air de Sesto, extrait de La clemenza di Tito, KV 621)
- Johann Baptist Vanhal
- Extrait de la Symphonie en Sol mineur (Finale-allegro)
- Wolfgang Amadeus Mozart
- "Ch'io mi scordi di te... Non temer, amato bene" (Scène et Rondo, extrait d'Idomeneo)
- Joseph Martin Kraus
- Extrait d'Olympie (Ouverture)
- Joseph Haydn
- "Berenice, che fai" Cantate Hob. XXIVa:10
Mozart et la Vienne classique
Monday, 2 December 2013
Maria Callas Assoluta on arte.
2, December 2013.
Maria Callas would have been 90.
I cannot imagine her ageing.
I watched this celebration of her fate like a poem, another Greek myth.
I had seen it last year.
It took me back to Epidaurus where her ghost haunted me the whole afternoon I walked up and around the theater.
Some shots are amazingly beautiful, showing how she blossomed and suffered through a destructive love for a man who did not deserve it.http://www.arte.tv/guide/fr/037146-000/maria-callas-assoluta
Maria Callas would have been 90.
I cannot imagine her ageing.
I watched this celebration of her fate like a poem, another Greek myth.
I had seen it last year.
It took me back to Epidaurus where her ghost haunted me the whole afternoon I walked up and around the theater.
Some shots are amazingly beautiful, showing how she blossomed and suffered through a destructive love for a man who did not deserve it.http://www.arte.tv/guide/fr/037146-000/maria-callas-assoluta
Friday, 29 November 2013
Happy Hour!
I am at a standstill .
Nothing serious or worrying.
Silly internet drawbacks.
Face book account closed because unrequested friends turned up... how rude!!!
But I know my dearest blogfriends are here, always faithful welcoming and really sharing !
So,I will try to do my best to catch up on the comments of tremendous moments I enjoyed with wonderful artists in Marseille and Paris!
And of course there are my Chinese artistic experiences I keep trying to organise.
Something worrying though, is the dreadful atmosphere which is spreading in my country.
It is deeply upsetting me. As France is getting into what is referred to as 'the crisis', the Far Right is getting stronger, racist, utterly narrow minded and unfair .
My source of happiness comes from my oldest crush on a very warm and enthusiastic singer I opened this blog with: Rolando!
I want to celebrate his Happy return to the Met as Lenski.. he is Lenski I know because I saw him twice sing this role in Berlin !
Linklink
Nothing serious or worrying.
Silly internet drawbacks.
Face book account closed because unrequested friends turned up... how rude!!!
But I know my dearest blogfriends are here, always faithful welcoming and really sharing !
So,I will try to do my best to catch up on the comments of tremendous moments I enjoyed with wonderful artists in Marseille and Paris!
And of course there are my Chinese artistic experiences I keep trying to organise.
Something worrying though, is the dreadful atmosphere which is spreading in my country.
It is deeply upsetting me. As France is getting into what is referred to as 'the crisis', the Far Right is getting stronger, racist, utterly narrow minded and unfair .
My source of happiness comes from my oldest crush on a very warm and enthusiastic singer I opened this blog with: Rolando!
I want to celebrate his Happy return to the Met as Lenski.. he is Lenski I know because I saw him twice sing this role in Berlin !
Linklink
Tuesday, 19 November 2013
Addio? last Manon in Toulouse for Natalie Dessay .(oct 3rd)
It was a night to remember.( 3-10- 2103 Toulouse)
Not that I will not see Natalie Dessay again, but here in Nougaro 's family city, coming for what Natalie Dessay thinks and says it is her last operatic performance, is quite a moving experience as it is.
The Capitole is an amazing smallish old house which is well renown among singers who started their career here like Natalie Dessay ( she was in the choir) or else for the gorgeous Michel Plasson's years where all star- singers came to perform at the Capitole. The Opera house is part of this elegant mansion which is Toulouse Town Hall, with XVIIth century painted ceilings, beautiful staircases and vaultings.
I like to recall two famous Toulouse singers I am particularly fond of:
Mady Mesplé .
She recently published a book on her struggle with Parkinson disease.
Jane Berbié : She is a talented Mezzo soprano who has taught younger singers, one I have in mind because we have the chance to follow her career here in Marseille opera house: Marie-Ange Todorovich, excellent mezzo and actress too. She was Charlotte when her Werther was Rolando Villazon in Nice. I had seen Natalie's Manon at the Licéu with Rolando Villazon and still have vivid memories of their performances I attended twice. The Sivadier's Manon ( Massenet has given place to the stage director's name for a famous Aix Festival production) became a landmark for NatalieDessay's admirers. I did not manage to get an affordable ticket in time, but had the privilege to see Charles Castronovo sing some arias on the opening night festivities on the Cours Mirabeau. (delightful open air performance).
It was then an anticipated pleasure to be able to see them both again and it was a real success once I was there.
The Paradise is quite steep, and the red velvet benches quite hard, but the view is mgic and the acoustic wonderful! As soon as I started taking a picture of the House and closed curtains, I was told off so I have only one picture of the House and that's it! Laurent Pelly 's production is rather simple and tame with 19th century costumes, plain looking at the opening scene and then becoming gorgeous with the growth of the heroine then to almost nothing when she became an outcast.... When Nat Dessay appeared in Cours La Reine for her flamboyant aria, "Je marche sur tous les chemins", she was smashing, all in white and dazzling furs and hat! Why does she want to put an end to lyrical singing? who can give us so fine high ranging arias while acting like she does ?
I was shattered by the last scene: An empty wharf with the sea for horizon and a row of poorly lit street lamps in a foggy atmosphere. The musicality of this couple of singers plus their dramatic and human involvement made these last moments unforgettable, catching and moving, relying on the power of the music with their complete chemistry without exagerating the pathos of it all!
I will remember the atmosphere of this end, very violent when Manon is coming from the boat with a group of guards and is savagely abused by them while DeGrieux and her Cousin are hiding, waiting to pay for having her back.
.Then comes the last moment where the couple goes back to where they began accompanied by the musical flashback sung by De Grieux this time: "n'est- ce pas ma main ".
I read that this rhapsodic tune so catching and hot was from fashionable tune in favour in Les Salons in those days.
Charles Castronovo gave such a fine rendition, the best I have heard live so far because he never over acts and really feels what he sings. As for Manon's death, Natalie Dessay also gave a fine and utterly moving rendition. I appreciated the orchestra following precisely the singers and adding the desperate touch matching this depressive last scene setting.
And it was a great success for the entire cast.
At the stage door, I had a nice chat with Charles Castronovo who is a happy person, welcoming, and may be he felt I love children a lot as I enquired about his little boy! the family is going to be happier and larger soon and he was so pleased to share the Good News! It was impossible to feel any tension after what he gave us ! He was beaming with happiness and simplicity!I asked if I could take a photo... such a well-balanced young man! My best wishes to them all! LINKlink
The Capitole is an amazing smallish old house which is well renown among singers who started their career here like Natalie Dessay ( she was in the choir) or else for the gorgeous Michel Plasson's years where all star- singers came to perform at the Capitole. The Opera house is part of this elegant mansion which is Toulouse Town Hall, with XVIIth century painted ceilings, beautiful staircases and vaultings.
I like to recall two famous Toulouse singers I am particularly fond of:
Mady Mesplé .
She recently published a book on her struggle with Parkinson disease.
Jane Berbié : She is a talented Mezzo soprano who has taught younger singers, one I have in mind because we have the chance to follow her career here in Marseille opera house: Marie-Ange Todorovich, excellent mezzo and actress too. She was Charlotte when her Werther was Rolando Villazon in Nice. I had seen Natalie's Manon at the Licéu with Rolando Villazon and still have vivid memories of their performances I attended twice. The Sivadier's Manon ( Massenet has given place to the stage director's name for a famous Aix Festival production) became a landmark for NatalieDessay's admirers. I did not manage to get an affordable ticket in time, but had the privilege to see Charles Castronovo sing some arias on the opening night festivities on the Cours Mirabeau. (delightful open air performance).
It was then an anticipated pleasure to be able to see them both again and it was a real success once I was there.
The Paradise is quite steep, and the red velvet benches quite hard, but the view is mgic and the acoustic wonderful! As soon as I started taking a picture of the House and closed curtains, I was told off so I have only one picture of the House and that's it! Laurent Pelly 's production is rather simple and tame with 19th century costumes, plain looking at the opening scene and then becoming gorgeous with the growth of the heroine then to almost nothing when she became an outcast.... When Nat Dessay appeared in Cours La Reine for her flamboyant aria, "Je marche sur tous les chemins", she was smashing, all in white and dazzling furs and hat! Why does she want to put an end to lyrical singing? who can give us so fine high ranging arias while acting like she does ?
I was shattered by the last scene: An empty wharf with the sea for horizon and a row of poorly lit street lamps in a foggy atmosphere. The musicality of this couple of singers plus their dramatic and human involvement made these last moments unforgettable, catching and moving, relying on the power of the music with their complete chemistry without exagerating the pathos of it all!
I will remember the atmosphere of this end, very violent when Manon is coming from the boat with a group of guards and is savagely abused by them while DeGrieux and her Cousin are hiding, waiting to pay for having her back.
.Then comes the last moment where the couple goes back to where they began accompanied by the musical flashback sung by De Grieux this time: "n'est- ce pas ma main ".
I read that this rhapsodic tune so catching and hot was from fashionable tune in favour in Les Salons in those days.
Charles Castronovo gave such a fine rendition, the best I have heard live so far because he never over acts and really feels what he sings. As for Manon's death, Natalie Dessay also gave a fine and utterly moving rendition. I appreciated the orchestra following precisely the singers and adding the desperate touch matching this depressive last scene setting.
And it was a great success for the entire cast.
At the stage door, I had a nice chat with Charles Castronovo who is a happy person, welcoming, and may be he felt I love children a lot as I enquired about his little boy! the family is going to be happier and larger soon and he was so pleased to share the Good News! It was impossible to feel any tension after what he gave us ! He was beaming with happiness and simplicity!I asked if I could take a photo... such a well-balanced young man! My best wishes to them all! LINKlink
Thursday, 10 October 2013
Viva Verdi!
The anticlimax effect, (after two smashing performances at Bastille Opera House on 19 Sept and 20 Sept) made me leave at the interval of Aïdaaïda
on sunday 29, the opening of my season at Marseille Opera House.
I am not very proud of my reaction now I can think of it.
The poor general singing of the main roles, and the stuffy atmosphere of the House, plus the memories of the last Aïda we had here not long ago ( dec 2008 with Adina Aron in the title role), are somehow the roots of my reaction.
.My intolerance has nothing to do with Verdi's Aïda which has some very moving duets and perhaps one of the finest tune ever written, but real good voices are needed .. the musical background did not match my expectancies that sunday afternoon, and all of the sudden, I quit!
So today I will celebrate this 200 Anniversary in due forms because Verdi means a lot in my Operatic world!
I travelled to Montpellier one day to see Riccardo Muti conduct the Requiewith almost the same cast ... and tonight I will be there with them.. I know I will not run away ...
on sunday 29, the opening of my season at Marseille Opera House.
I am not very proud of my reaction now I can think of it.
The poor general singing of the main roles, and the stuffy atmosphere of the House, plus the memories of the last Aïda we had here not long ago ( dec 2008 with Adina Aron in the title role), are somehow the roots of my reaction.
.My intolerance has nothing to do with Verdi's Aïda which has some very moving duets and perhaps one of the finest tune ever written, but real good voices are needed .. the musical background did not match my expectancies that sunday afternoon, and all of the sudden, I quit!
So today I will celebrate this 200 Anniversary in due forms because Verdi means a lot in my Operatic world!
I travelled to Montpellier one day to see Riccardo Muti conduct the Requiewith almost the same cast ... and tonight I will be there with them.. I know I will not run away ...
Monday, 23 September 2013
Happy Hour: Encore!
The third live streaming announced on Dec The 28th -6pm is the answer to my Discreet Profile Diva. Need to write her name..?or be discreet as well....
Meanwhile, having survived two smashing nights at Bastille I am waiting for the lottery answer ... Forza or no Forza? Destiny..........
Meanwhile, having survived two smashing nights at Bastille I am waiting for the lottery answer ... Forza or no Forza? Destiny..........
Wednesday, 18 September 2013
Happy Hour:The DPD!
No! it is not a new type of Asian flu.
If I illustrate this by the image of a praised soprano I really appreciate more and more, it will already refer to letter D for Diva.
If I talk about this Diva and her art of singing, it will refer to letter P for Profile.
If it is impossible to find this Diva on internet on her blog, get any information on her family relationship, her perfume, the trademark of her shoes and clothes, the photo of her partner, boyfriend, or husband, the place where she lives, the last photo of her holiday or last appearance at a fashion show, nothing of the sort will transpire in the media,
If it is impossible to find on the net and her fan page (yes she has one) any photo of hers pulling faces not even when she sings (that's a tour de force....) all these facts immediately refer to letter D for Discreet.
Who is hiding behind the Discreet Profile Diva?
(my answer in the next Happy Hour! if I survive Makropoulos case and Lucia de Lammermoor both at Bastille in the days to come. I will not see my DPD favourite soprano, hard luck for me she is performing elsewhere, bien entendu....)
If I illustrate this by the image of a praised soprano I really appreciate more and more, it will already refer to letter D for Diva.
If I talk about this Diva and her art of singing, it will refer to letter P for Profile.
If it is impossible to find this Diva on internet on her blog, get any information on her family relationship, her perfume, the trademark of her shoes and clothes, the photo of her partner, boyfriend, or husband, the place where she lives, the last photo of her holiday or last appearance at a fashion show, nothing of the sort will transpire in the media,
If it is impossible to find on the net and her fan page (yes she has one) any photo of hers pulling faces not even when she sings (that's a tour de force....) all these facts immediately refer to letter D for Discreet.
Who is hiding behind the Discreet Profile Diva?
(my answer in the next Happy Hour! if I survive Makropoulos case and Lucia de Lammermoor both at Bastille in the days to come. I will not see my DPD favourite soprano, hard luck for me she is performing elsewhere, bien entendu....)
Monday, 16 September 2013
New season at Marseille Opera House.
The internet site is much better and every thing seems to have improved a lot. When I arrived from Shanghai I went to Marseille to get my subscription .
I discovered the newly finished seafront with such a wide pedestrian aria facing the sea, plus the now famous shadow roof where life is upside down !
I discovered the new season with delight, rejoicing at two concerts, one with one of my favourite sopranos, Natalie Dessay and the other one with the veterant baritone Leo Nucci !
The season nearly starts with a thrilling belcanto opera : La Straniera. I will discover an opera I only followed on the net with Great Edita Gruberova, and then see younger singers I truly enjoy both as singers and artists: Patrizia Ciofi and Karine Deshayes.
I have an idea Marseille Opera House will be packed for the dress-rehearsal.
Last season ended quite early for me as I went to China at the end of March and missed the last productions.
Patrizia Ciofi is the soprano I have seen performing regularly here.
When she starts a new role she comes to us, either Avignon opera house or Marseille opera house! She is a belcantist and a dramatic soprano with a fragile look and yet such a powerful dramatic intensity in all her renditions.
I have seen her Lucias (Orange and Marseille), her Traviata(Avignon), her Juliette (Marseille) and her unforgettable Ophélie.( Each time it is possible to find my account here.)
It all started in Saint-Denis Cathedral when I witnessed her sing Clorinda, Combattimento (Monteverdi).
Her voice in this huge vessel had celestial wings....What a nice couple they made as actors - singers with Rolando Villazon too!(seen at Orange he was Edgardo she was Lucia....Donizetti. I will see her soon at Bastille, same Lucia ..some years after.)
PHOTO from Arte rendition of Combattimento, Last word from dying Clorinda' Pace'!(many thanks to Teresa59 for uploading).
Cheers to the new season starting soon with ...VERDI, of course!!!!
Sunday, 8 September 2013
Song for Thought: Joyce Di Donato Last night at the Prom's.
Quotation from Joyce Di Donato 's blog
Here, the BBC broadcast is unavailable. But luckily the performance is on youtube and of course I am very grateful to Rupert Jones who uploaded Joyce Di Donato special rendition of Somwhere over the rainbow ' (Link at the end of this post )
Some artists are persons like we are and react with humanity to atrocious living conditions around this planet. Others are more 'bling-bling' and do not mind advertising for very posh trademarks and dubious politicians but will not stand openly for some vital causes like this one. Of course my choice goes to artists like Joyce Di Donato and I think the audience at the Albert Hall last night, felt similar gratitude for her commitment.
When I was at University I had a part time job and was late at the major lectures. The lecture room was often full because too small. I had to stand in the corridor very often, trying to grab the essence of what was going on!
One day some people waved to me from the first rows inside, where they had secured a seat for me. I did not know them, but they had noticed me. They became good friends of mine, they were homos 'queer' was the expression those days. They even invited me to my first skiing holidays !
Who else would have noticed the girl always standing at the door in the corridor?
Now in my musical world my best friends also fight for their rights because it is never over, when you are not, so called, 'normal '.
My blog friends are also not 'straight' but who cares when the heart is wide open to other souls?
France has made a great step forward recently with Marriage for all. Where I live there are strong oppositions to the new law because of the Far right lobby in several town halls like Orange (yes the Choregies famous place ) and also Bollène. So the battle for equal rights is not over yet here.
And I feel I must be on the watch, even being retired and feeling somehow useless.
My respect to this brave artist Joyce Di Donato who cares more for human beings than for her Art.
rupert jones youtube upload. Last Night at the Prom's 2013.
"I knew that I simply had to personally dedicate my performance on Saturday to all of those brave, valorous gay and lesbian souls whose voices are currently being silenced – either by family, friends, or by their government. As I’ve done in the past, this is a very individual dedication made only here (not on the stage of the glorious Royal Albert Hall)."
Here, the BBC broadcast is unavailable. But luckily the performance is on youtube and of course I am very grateful to Rupert Jones who uploaded Joyce Di Donato special rendition of Somwhere over the rainbow ' (Link at the end of this post )
When I was at University I had a part time job and was late at the major lectures. The lecture room was often full because too small. I had to stand in the corridor very often, trying to grab the essence of what was going on!
One day some people waved to me from the first rows inside, where they had secured a seat for me. I did not know them, but they had noticed me. They became good friends of mine, they were homos 'queer' was the expression those days. They even invited me to my first skiing holidays !
Who else would have noticed the girl always standing at the door in the corridor?
Now in my musical world my best friends also fight for their rights because it is never over, when you are not, so called, 'normal '.
My blog friends are also not 'straight' but who cares when the heart is wide open to other souls?
France has made a great step forward recently with Marriage for all. Where I live there are strong oppositions to the new law because of the Far right lobby in several town halls like Orange (yes the Choregies famous place ) and also Bollène. So the battle for equal rights is not over yet here.
And I feel I must be on the watch, even being retired and feeling somehow useless.
My respect to this brave artist Joyce Di Donato who cares more for human beings than for her Art.
rupert jones youtube upload. Last Night at the Prom's 2013.
Saturday, 7 September 2013
Tuesday, 27 August 2013
the Charm of Erhu (二胡)Music.
On June the 21st I had the great pleasure to attend an evening about the Erhu Music at Shanghai Conservatoire.
`I did not understand the conference, but I certainly enjoyed all the different types of music played by talented artists on this magic instrument with only two strings.
Before I went to this special evening I made some research on the web about the music which was going to be performed.
Among the pieces was the most famous one called 'Moon reflected on Second Spring'. (link to the article in "Hidden Harmonies)
In Shanghai I did not have access to youtube but I found a marvellous site with a whole article on this famous Erhu music and I was moved to tears by the music, the life story of its composer.
This post has both versions of this moving tune, the genuine one played by its composer, Abing, and a modern version.
All my thanks to the blogger of 'Hidden harmonies' which is not only fantastic for this particularly Erhu music.
On China as well, it is an endless source of information.
The concert Hall was packed. It was the music school music festival and the last conference on the Erhu. There were music teachers, lots of children and young people ! certainly not the dead atmosphere which is felt in our concert halls.
I often listen to this piece of music and think of all the sorrows which can be transformed by music.
Thursday, 22 August 2013
Happy Hour!
Stop singing out of tune...
29 May 2013 Shanghai insect, flower, fish, bird Market,万商花鸟市场, 417 Xizang Nan Lu,
29 May 2013 Shanghai insect, flower, fish, bird Market,万商花鸟市场, 417 Xizang Nan Lu,
Saturday, 17 August 2013
In my telly last night: Anja Harteros -Elizabeth .
Don Carlo live broadcast from Salzburg Festival. What a treat!
An unknown chorus of oppressed folk starving in cold weather, then the Fontainebleau meeting and above all the Lacrymosa after Posa's death: Could I ask for more?
Gorgeous costumes in a bare setting full of meaning when the cameras moved according to what is sung and expressed on the singers'face, plus intense musical parts with Antonio Pappano's efficient conducting, made this rendition really valuable.
Some of my sceen captures at one crucial moment,
Act 1,
The veiled mother:
Carlo wants help from his Queen to leave l'Escurial, proper inferno, but bursts with love for Elizabeth his former fiançée:
At his cry of love, she also allows herself to listen to her heart. She unveils:
They cannot repress their love for each other. The singing is heartbreaking from both Anja Harteros and Jonas Kauflmann.
brief love instant, surrounded by doomed future for both :
It is impossible for me to imagine another duo for this type of opera: they match vocally, physically and also dramatically as they both have an extreme sense of restraint. Their voices of course are above criticism most of the time, even if Jonas Kaufmann has not a solar voice like Italian tenors. He is really a fine singer.
This beautiful image will not last. they will end on their knees, crushed by Fatum....and death.
I only want to keep here the beauty of these artists on my telly.... for a night.(and more ...)
Of course VIVA VERDI!
An unknown chorus of oppressed folk starving in cold weather, then the Fontainebleau meeting and above all the Lacrymosa after Posa's death: Could I ask for more?
Gorgeous costumes in a bare setting full of meaning when the cameras moved according to what is sung and expressed on the singers'face, plus intense musical parts with Antonio Pappano's efficient conducting, made this rendition really valuable.
Some of my sceen captures at one crucial moment,
The veiled mother:
Carlo wants help from his Queen to leave l'Escurial, proper inferno, but bursts with love for Elizabeth his former fiançée:
They cannot repress their love for each other. The singing is heartbreaking from both Anja Harteros and Jonas Kauflmann.
It is impossible for me to imagine another duo for this type of opera: they match vocally, physically and also dramatically as they both have an extreme sense of restraint. Their voices of course are above criticism most of the time, even if Jonas Kaufmann has not a solar voice like Italian tenors. He is really a fine singer.
This beautiful image will not last. they will end on their knees, crushed by Fatum....and death.
I only want to keep here the beauty of these artists on my telly.... for a night.(and more ...)
Of course VIVA VERDI!
Tuesday, 13 August 2013
Bye-Bye Robert.
We feel sorry we did not come to you all these years.
You will always be in our hearts.
The days you played for us and even joined the band for the Harvest Festival in Forcalquier cannot be forgotten!
We were much younger.
Music is your life !
We share it, feel it, the way you wanted, for the time which is left to us here.
Bye Robert.
Is it you performing here? Tchaïkovsky....
Bye.... Nina will keep good care of you as she always did, through her violin too.
Bye Robert.
Yesterday is our Eternity.
Sunday 27th JUNE 2010 - 7.30pm
AT ST. BARTHOLOMEW'S CHURCH
ST. BARTHOLOMEW FESTIVAL ORCHESTRA
Conductor - Robert Trory
Sol Cello - Maja Bogdanovic Following her sensational London debut last year, Maja Bogdanovic returns to close this year’s Sydenham Festival with the Elgar Concerto in what promises to be an even greater occasion.
Weber: Overture ‘Oberon'
Elgar: Cello Concerto in E minor Op. 85
Sibelius: Symphony No 5 in Eb major Op.82
“The young Serbian cellist Maja Bogdanovic, gave an absolutely breathtaking account of Shostakovich’s First cello Concerto, literally from first bar to last. “ Musical Opinion
Robert Trory again accompanies with the amazing St Bartholomew Festival Orchestra
Robert Trory
Today, Sydenham
12 Aug 2013 11:08
It is with great sadness that we announce the death of Robert Trory on Friday 9 August. Robert, who was the inspiration behind the Sydenham International Music Festival and our Musical Director for more than ten years, died peacefully at home after bravely fighting his illness since early last year.
Robert’s funeral will be at 11:00 on Tuesday 20 August and will be held at the church of Our Lady and St Philip Neri in Sydenham.
From the Trustees of Sydenham Music with sympathy to Nina and all of Robert’s Family
I would like to add my own thanks to Robert for the wonderful musical events he brought to Sydenham.
For those wishing to know more about Robert: http://roberttrory.com/
.
Friday, 9 August 2013
Warm week-end at Festival de l'Empéri in Salon de Provence!
Sometimes a quiet ride not too far from home with no opera in sight, only nice quartets and quintets to listen to in nice open air surroundings, has plenty of charms and fulfill some purposes.
Having spent some time in China and coming back to the reality of housekeeping then to the arrival of grandchildren, somehow made a lot to cope with, after three months of farniente.
I did not intend to travel again for musical events to expensive festivals around the world!
So I went round the corner, took the local bus from Aix en Provence and booked three nights in Salon at Hôtel d'Angleterre, very cosy and affordable, with even a very efficient and discreet air conditioner, plus four very cheap tickets for outdoor concerts mainly.
This is a marvellous way to spend sleepless nights because of the heat.
It was never too warm in the Cour du Château de l'Empéri during the nights I stayed there.
Watching the stars coming out, the rather scared swifts disappearing promptly in the triangular hole at the first violin bow strikes, then having the tireless cicadas competing with the musicians, gave me endless pleasure to listen to and odd things to glance at.
The music was really fine and full of happy seriousness and joy. The musicians were at one point or another keeping an eye on each other and smiling. These smiles were the sign of total enjoyment to be out of concert halls and in a closer contact with the audience.
Summery and relaxed, they did not give the impression it was hard work! It was possible to go and listen to them rehearse in the Cour Renaissance.
All the programs were discoveries for me( apart for Harold in Italy) and I was charmed by the young Zaire quartet, the fantastic wind quintet and the orchestra of eleven members for some pieces like Nino Rota 'La Strada' transcription which was a great success and opened the concert at La cour du château for 'Viva Verdi'evening.
I particularly enjoyed the witty clarinettist Paul Meyer who immediately played the phone jingle which had just disturbed the end of the afternoon concert on Sunday... and the flutist also played an echo of the jingle, all that done with smiles and good humour!
They received great applause at a jazzy piece of la Strada and gave it as an encore before going up the hill to rehearse for the evening concert up the Castle.
They opened the Viva Verdi concert with the same piece and had also great success!
Maja Avramovic (violon)
Having spent some time in China and coming back to the reality of housekeeping then to the arrival of grandchildren, somehow made a lot to cope with, after three months of farniente.
I did not intend to travel again for musical events to expensive festivals around the world!
So I went round the corner, took the local bus from Aix en Provence and booked three nights in Salon at Hôtel d'Angleterre, very cosy and affordable, with even a very efficient and discreet air conditioner, plus four very cheap tickets for outdoor concerts mainly.
This is a marvellous way to spend sleepless nights because of the heat.
It was never too warm in the Cour du Château de l'Empéri during the nights I stayed there.
Watching the stars coming out, the rather scared swifts disappearing promptly in the triangular hole at the first violin bow strikes, then having the tireless cicadas competing with the musicians, gave me endless pleasure to listen to and odd things to glance at.
The music was really fine and full of happy seriousness and joy. The musicians were at one point or another keeping an eye on each other and smiling. These smiles were the sign of total enjoyment to be out of concert halls and in a closer contact with the audience.
Summery and relaxed, they did not give the impression it was hard work! It was possible to go and listen to them rehearse in the Cour Renaissance.
All the programs were discoveries for me( apart for Harold in Italy) and I was charmed by the young Zaire quartet, the fantastic wind quintet and the orchestra of eleven members for some pieces like Nino Rota 'La Strada' transcription which was a great success and opened the concert at La cour du château for 'Viva Verdi'evening.

I particularly enjoyed the witty clarinettist Paul Meyer who immediately played the phone jingle which had just disturbed the end of the afternoon concert on Sunday... and the flutist also played an echo of the jingle, all that done with smiles and good humour!
They received great applause at a jazzy piece of la Strada and gave it as an encore before going up the hill to rehearse for the evening concert up the Castle.
They opened the Viva Verdi concert with the same piece and had also great success!
Dimanche 4 août ,
On Sunday:FREE CONCERTS (with Marseille Capitale de la Culture )
19:00 Place Saint-Michel : La Strada
Bechara El-Khoury
Mare Nostrum: I adored it, really thought I was miles away carried away by the waves of the music.
Nino Rota: Loved the trumpet player most!
Suite de La Strada (arrangement de Ohad Ben Ari)
Deborah Nemtanu (violon)
-
Maja Avramovic (violon)
-
Joaquin Riquelme Garcia (alto)
-
Raphaël Perraud (violoncelle)
-
Olivier Thiery (contrebasse)
-
Emmanuel Pahud (flûte)
-
François Meyer (hautbois)
-
Paul Meyer (clarinette)
-
Gilbert Audin (basson)
-
Chezy Nir (cor)
-
Sergei Nakariakov (trompette)
-
Emmanuel Curt (percussions)
21:00 Château de l'Emperi : Alcazar Memories
Lundi 5 août
On Monday:
There was a change in the program, as the orchestra opened the night with Nino Rota 'la strada'.
then it followed the program but I did not feel like staying for the last part 'Alcazar memories'. Of course it would have been interesting to discover the jazzy tunes I heard singing in my youth, by relatives and on the radio... here is the trailor I found on youtube:
http://www.youtube.com/watch?v=3r7B-W55paY
There was a change in the program, as the orchestra opened the night with Nino Rota 'la strada'.
then it followed the program but I did not feel like staying for the last part 'Alcazar memories'. Of course it would have been interesting to discover the jazzy tunes I heard singing in my youth, by relatives and on the radio... here is the trailor I found on youtube:
http://www.youtube.com/watch?v=3r7B-W55paY
18:00 Eglise Saint-Michel : Déborah Nemtanu & Raphaël Perraud
Wolfgang Amadeus Mozart
Duo pour violon et violoncelle en sol majeur
Maurice Ravel
Sonate pour violon et violoncelle en ut majeur
Georg Friedrich Haendel
Passacaille (arrangement de Johan Halvorsen)
21:00 Château de l'Emperi : Viva Italia
Hector Berlioz
Harold en Italie (transcription pour alto et piano de Franz Liszt)
Giuseppe Verdi
Quintette à vents (arrangement de Mordechai Rechtmann du quatuor en mi mineur)
Nino Rota
Nonette pour flûte, hautbois, clarinette, basson, cor, violon, alto, violoncelle et contrebasse
What I also enjoyed a lot were the refreshing snacks done by local Chefs each night I spent there.
The last one done by La Bastide Chef was a real gem! It looked so Asian to me ! It was delicious and cold with lots of al dente braised vegetables inside and with a smart thin bamboo stick to deal with!
The last one done by La Bastide Chef was a real gem! It looked so Asian to me ! It was delicious and cold with lots of al dente braised vegetables inside and with a smart thin bamboo stick to deal with!
(Egg plant slice roll filled with little courgettes, red pepper, tomato cubes, grated hard parmigiano cheese, local olive oil as it is produced there, and a slice of Italian ham on top of the roll, resting on a thin slice of spicy bread, perhaps cucurma as it was yellow, sunny! with sesame seeds on the crust, delicious vegetable roll! looking like a spring roll in a way! delicious...!!! and adorned with a basil leaf of course, we cannot cook without basil in summer....)
LA BASTIDE DU MOULIN A POIVRE, artisan restaurateur, slow food. 13330 Pélissanne, 0490553051.
LA BASTIDE DU MOULIN A POIVRE, artisan restaurateur, slow food. 13330 Pélissanne, 0490553051.
Friday, 2 August 2013
Happy Hour!
Don't expect a free drink!
Perhaps a laugh....
This is the first HH
Maestro V.Gergiev could fairly well enlarge his repertoire to:
La Mascotte.
Guess why?
Thanks so much Turkeycartoons for the pict!
Perhaps a laugh....
This is the first HH
Maestro V.Gergiev could fairly well enlarge his repertoire to:
La Mascotte.
Guess why?
Thanks so much Turkeycartoons for the pict!
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